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Introduction

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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Durrell in Askania Nova, 1985 Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller. In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)

    Durrell in Askania Nova, 1985

    Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller.

    In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)
  • Image 2 Gay at peak intensity before making landfall on India, on 8 November Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November. The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)

    Gay at peak intensity before making landfall on India, on 8 November

    Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.

    The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
  • Image 3 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 4 Jinnah in 1945 Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death. Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)

    Jinnah in 1945

    Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death.

    Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)
  • Image 5 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)

    Portrait by Charles Dana Gibson, c. 1903

    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics.

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 6 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 7 Ranaut in 2024 Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker, and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and four Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award. At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles. (Full article...)

    Ranaut in 2024

    Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker, and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and four Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award.

    At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles. (Full article...)
  • Image 8 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 9 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 10 Narayan in 1974 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 1974

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 11 Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects. Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
    Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

    Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
  • Image 12 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 13 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    Portrait by Rudolf Swoboda, 1888

    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 14 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 15 Bhatt at the 2022 Berlinale Alia Bhatt (/ˈɑːliə ˈbʌt/; born 15 March 1993) is a British actress of Indian descent who predominantly works in Hindi films. Known for her portrayals of women in challenging circumstances, she has received several accolades, including a National Film Award and six Filmfare Awards. She is one of India's highest-paid actresses. Time awarded her with the Time100 Impact Award in 2022 and named her one of the 100 most influential people in the world in 2024. Born into the Bhatt family, she is a daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller film Sangharsh, she played her first leading role in Karan Johar's teen film Student of the Year (2012). She won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014) and went on to establish herself with starring roles in several romantic films produced by Johar's studio Dharma Productions. (Full article...)

    Bhatt at the 2022 Berlinale

    Alia Bhatt (/ˈɑːliə ˈbʌt/; born 15 March 1993) is a British actress of Indian descent who predominantly works in Hindi films. Known for her portrayals of women in challenging circumstances, she has received several accolades, including a National Film Award and six Filmfare Awards. She is one of India's highest-paid actresses. Time awarded her with the Time100 Impact Award in 2022 and named her one of the 100 most influential people in the world in 2024.

    Born into the Bhatt family, she is a daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller film Sangharsh, she played her first leading role in Karan Johar's teen film Student of the Year (2012). She won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014) and went on to establish herself with starring roles in several romantic films produced by Johar's studio Dharma Productions. (Full article...)
  • Image 16 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)

    The central image at Vithoba Temple in Pandharpur

    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
  • Image 17 India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago. Their long occupation, predominantly in isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE. By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its hymns recorded the dawning of Hinduism in India. India's pre-existing Dravidian languages were supplanted in the northern regions. By 400 BCE, caste had emerged within Hinduism, and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity. Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires. Widespread creativity suffused this era, but the status of women declined, and untouchability became an organized belief. In South India, the Middle kingdoms exported Dravidian language scripts and religious cultures to the kingdoms of Southeast Asia. (Full article...)

    India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia.

    Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago. Their long occupation, predominantly in isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE. By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its hymns recorded the dawning of Hinduism in India. India's pre-existing Dravidian languages were supplanted in the northern regions. By 400 BCE, caste had emerged within Hinduism, and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity. Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires. Widespread creativity suffused this era, but the status of women declined, and untouchability became an organized belief. In South India, the Middle kingdoms exported Dravidian language scripts and religious cultures to the kingdoms of Southeast Asia. (Full article...)
  • Image 18 The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
    The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit.

    In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
  • Image 19 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 20 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 21 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)
  • Image 22 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 23 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 24 Nanakramguda skyline Hyderabad (Telugu: Haidarābād pronounced [ˈɦaɪ̯dəɾaːbaːd]ⓘ, Urdu: [ˈɦɛːdəɾaːbaːd]) is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India. The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states with a transitional arrangement scheduled to end in 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)

    Nanakramguda skyline

    Hyderabad (Telugu: Haidarābād pronounced [ˈɦaɪ̯dəɾaːbaːd]ⓘ, Urdu: [ˈɦɛːdəɾaːbaːd]) is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India.

    The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states with a transitional arrangement scheduled to end in 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)
  • Image 25 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
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  • Image 1 Maitreyi was an Indian philosopher who lived during the later Vedic period in ancient India, estimated to have lived during the 8th century BCE. She's mentioned in the Brihadaranyaka Upanishad as one of two wives of the Vedic sage Yajnavalkya. In the Hindu epic Mahabharata and the Gṛhyasūtras, however, Maitreyi is described as an Advaita philosopher who never married. In ancient Sanskrit literature, she is known as a brahmavadini (an expounder of the Veda). Maitreyi appears in ancient Indian texts, such as in a dialogue where she explores the Hindu concept of Atman (soul or self) in a dialogue with Yajnavalkya in the Brihadaranyaka Upanishad. According to this dialogue, love is driven by a person's soul, and Maitreyi discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy. This Maitreyi-Yajnavalkya dialogue is the topic of Sureshvara's varttika, a commentary. (Full article...)
    Maitreyi was an Indian philosopher who lived during the later Vedic period in ancient India, estimated to have lived during the 8th century BCE. She's mentioned in the Brihadaranyaka Upanishad as one of two wives of the Vedic sage Yajnavalkya. In the Hindu epic Mahabharata and the Gṛhyasūtras, however, Maitreyi is described as an Advaita philosopher who never married. In ancient Sanskrit literature, she is known as a brahmavadini (an expounder of the Veda).

    Maitreyi appears in ancient Indian texts, such as in a dialogue where she explores the Hindu concept of Atman (soul or self) in a dialogue with Yajnavalkya in the Brihadaranyaka Upanishad. According to this dialogue, love is driven by a person's soul, and Maitreyi discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy. This Maitreyi-Yajnavalkya dialogue is the topic of Sureshvara's varttika, a commentary. (Full article...)
  • Image 2 Munir Hussain (29 November 1929 – 29 July 2013) was a cricket commentator, administrator, and journalist from Pakistan who also played a first-class cricket match for Kalat in the 1969–70 season. He was the first to introduce Urdu commentary to cricket, and was the founder of the first Urdu cricket magazine, Akhbar-e-Watan. During the 1970s, Hussain commentated on the game for Pakistan Television (PTV) and Radio Pakistan, and wrote weekly columns on cricket for the Daily Jang for many years. He received many accolades for his work for cricket. ESPNcricinfo writer Saad Shafqat described him as "a pioneering commentator, groundbreaking publisher, Karachi City Cricket Association (KCCA) mandarin, and sagacious elder presence in the nation's cricket circles". He also served as the president of the KCCA. (Full article...)
    Munir Hussain (29 November 1929 – 29 July 2013) was a cricket commentator, administrator, and journalist from Pakistan who also played a first-class cricket match for Kalat in the 1969–70 season. He was the first to introduce Urdu commentary to cricket, and was the founder of the first Urdu cricket magazine, Akhbar-e-Watan. During the 1970s, Hussain commentated on the game for Pakistan Television (PTV) and Radio Pakistan, and wrote weekly columns on cricket for the Daily Jang for many years. He received many accolades for his work for cricket. ESPNcricinfo writer Saad Shafqat described him as "a pioneering commentator, groundbreaking publisher, Karachi City Cricket Association (KCCA) mandarin, and sagacious elder presence in the nation's cricket circles". He also served as the president of the KCCA. (Full article...)
  • Image 3 The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal. Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)

    The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha

    The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal.

    Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)
  • Image 4 The Royal Calcutta Turf Club in 2015 The Royal Calcutta Turf Club (RCTC) is a horse racing organisation which was founded in 1847 in Calcutta, British India (now Kolkata). Horse events and sports were initially organised for the British cavalry at Akra before they were moved to the Maidan. The RCTC became the foremost horse-racing organization in India during the British Raj. At one time it was the governing body for nearly all racecourses in the subcontinent, defining and applying the rules governing the sport. During its heyday, RCTC-organised races were among the most important social events of the bigwigs' calendar and were opened by the Viceroy of India. Still a private club, the RCTC operates Kolkata Race Course in the Maidan. The club also held polo matches during the late 19th century, and hosted English-style gambling; the Calcutta Derby Sweeps, organised by the RCTC, was the world's largest sweepstake in the 1930s. After the closure of the Tollygunge racecourse, a new racecourse was opened by the club in Barrackpore during the 1920s; it was unsuccessful due to poor attendance. Grandstands were built at the Maidan racecourse; Kolkata Race Course had three in 2020, including a three-tier main grandstand. (Full article...)

    The Royal Calcutta Turf Club in 2015

    The Royal Calcutta Turf Club (RCTC) is a horse racing organisation which was founded in 1847 in Calcutta, British India (now Kolkata). Horse events and sports were initially organised for the British cavalry at Akra before they were moved to the Maidan. The RCTC became the foremost horse-racing organization in India during the British Raj. At one time it was the governing body for nearly all racecourses in the subcontinent, defining and applying the rules governing the sport. During its heyday, RCTC-organised races were among the most important social events of the bigwigs' calendar and were opened by the Viceroy of India. Still a private club, the RCTC operates Kolkata Race Course in the Maidan.

    The club also held polo matches during the late 19th century, and hosted English-style gambling; the Calcutta Derby Sweeps, organised by the RCTC, was the world's largest sweepstake in the 1930s. After the closure of the Tollygunge racecourse, a new racecourse was opened by the club in Barrackpore during the 1920s; it was unsuccessful due to poor attendance. Grandstands were built at the Maidan racecourse; Kolkata Race Course had three in 2020, including a three-tier main grandstand. (Full article...)
  • Image 5 Atul Atmaram Gawande (born November 5, 1965) is an American surgeon, writer, and public health researcher. He practices general and endocrine surgery at Brigham and Women's Hospital in Boston, Massachusetts. He is a professor in the Department of Health Policy and Management at the Harvard T.H. Chan School of Public Health and the Samuel O. Thier Professor of Surgery at Harvard Medical School. In public health, he was the chairman of Ariadne Labs, a joint center for health systems innovation, and chairman of Lifebox, a nonprofit that works on reducing deaths in surgery globally. On June 20, 2018, Gawande was named the CEO of healthcare venture Haven, owned by Amazon, Berkshire Hathaway, and JP Morgan Chase and stepped down as CEO in May 2020, remaining as executive chairman while the organization sought a new CEO. He is the author of the books Complications: A Surgeon's Notes on an Imperfect Science; Better: A Surgeon's Notes on Performance; The Checklist Manifesto; and Being Mortal: Medicine and What Matters in the End. (Full article...)

    Atul Atmaram Gawande (born November 5, 1965) is an American surgeon, writer, and public health researcher. He practices general and endocrine surgery at Brigham and Women's Hospital in Boston, Massachusetts. He is a professor in the Department of Health Policy and Management at the Harvard T.H. Chan School of Public Health and the Samuel O. Thier Professor of Surgery at Harvard Medical School. In public health, he was the chairman of Ariadne Labs, a joint center for health systems innovation, and chairman of Lifebox, a nonprofit that works on reducing deaths in surgery globally. On June 20, 2018, Gawande was named the CEO of healthcare venture Haven, owned by Amazon, Berkshire Hathaway, and JP Morgan Chase and stepped down as CEO in May 2020, remaining as executive chairman while the organization sought a new CEO.

    He is the author of the books Complications: A Surgeon's Notes on an Imperfect Science; Better: A Surgeon's Notes on Performance; The Checklist Manifesto; and Being Mortal: Medicine and What Matters in the End. (Full article...)
  • Image 6 The 7 metres (23 ft) high Trimurti sculpture The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva, which have been designated a UNESCO World Heritage Site. They are on Elephanta Island, or Gharapuri (literally meaning "the city of caves"), in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Mahārāshtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks. The Elephanta Caves contain rock-cut stone sculptures, mostly in high relief, that show syncretism of Hindu and Buddhist ideas and iconography. The caves are hewn from solid basalt rock. Except for a few exceptions, much of the artwork is defaced and damaged. The main temple's orientation as well as the relative location of other temples are placed in a mandala pattern. The carvings narrate Hindu legends, with the large monolithic 5.45 metres (17.9 ft) Trimurti Sadashiva (three-faced Shiva), Nataraja (Lord of dance) and Yogishvara (Lord of Yogis) being the most celebrated. (Full article...)

    The 7 metres (23 ft) high Trimurti sculpture

    The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva, which have been designated a UNESCO World Heritage Site. They are on Elephanta Island, or Gharapuri (literally meaning "the city of caves"), in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Mahārāshtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks.

    The Elephanta Caves contain rock-cut stone sculptures, mostly in high relief, that show syncretism of Hindu and Buddhist ideas and iconography. The caves are hewn from solid basalt rock. Except for a few exceptions, much of the artwork is defaced and damaged. The main temple's orientation as well as the relative location of other temples are placed in a mandala pattern. The carvings narrate Hindu legends, with the large monolithic 5.45 metres (17.9 ft) Trimurti Sadashiva (three-faced Shiva), Nataraja (Lord of dance) and Yogishvara (Lord of Yogis) being the most celebrated. (Full article...)
  • Image 7 16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes. The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
    16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes.

    The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
  • Image 8 The 2020–21 season was the 101st season of Sporting Club East Bengal (EB or SCEB). Established in 1920, the club celebrated its centennial on 1 August 2020. Due to the COVID-19 pandemic, the Indian football season started on 1 August 2020 and is scheduled to end on 31 May 2021, with competitive matches occurring between November and March. The club competed in the Indian Super League (ISL) for the first time and finished their first ISL season in ninth place with 17 points. Before the start of the season, East Bengal was very active in the transfer market. The club precontracted over 20 Indian players with many signing long-term contracts and being assigned to the reserve team. Only a few players were retained from the previous season. Of them, Prakash Sarkar and Boithang Haokip were not registered in the ISL squad. East Bengal and Quess Corp's joint venture was terminated, and the club inked a partnership with Shree Cement as their principal investor in September. Robbie Fowler was appointed as the team's head coach. Forward Bright Enobakhare was signed in the winter transfer window as the seventh foreigner. Another foreign player, Callum Woods, was also signed as a reserve defender. (Full article...)
    The 2020–21 season was the 101st season of Sporting Club East Bengal (EB or SCEB). Established in 1920, the club celebrated its centennial on 1 August 2020. Due to the COVID-19 pandemic, the Indian football season started on 1 August 2020 and is scheduled to end on 31 May 2021, with competitive matches occurring between November and March. The club competed in the Indian Super League (ISL) for the first time and finished their first ISL season in ninth place with 17 points.

    Before the start of the season, East Bengal was very active in the transfer market. The club precontracted over 20 Indian players with many signing long-term contracts and being assigned to the reserve team. Only a few players were retained from the previous season. Of them, Prakash Sarkar and Boithang Haokip were not registered in the ISL squad. East Bengal and Quess Corp's joint venture was terminated, and the club inked a partnership with Shree Cement as their principal investor in September. Robbie Fowler was appointed as the team's head coach. Forward Bright Enobakhare was signed in the winter transfer window as the seventh foreigner. Another foreign player, Callum Woods, was also signed as a reserve defender. (Full article...)
  • Image 9 Vaikuntha Chaturmukha, 9th century, Kashmir in Los Angeles County Museum of Art Vaikuntha Chaturmurti or Vaikuntha Vishnu is a four-headed aspect of the Hindu god Vishnu, mostly found in Nepal and Kashmir (northern part of the Indian subcontinent). The icon represents Vishnu as the Supreme Being. He has a human head, a lion head, a boar head and a fierce head. Sometimes, even three-headed but aspects of Vishnu where the fierce rear head is dropped are considered to represent Vaikuntha Chaturmurti. Though iconographical treatises describe him to eight-armed, he is often depicted with four. Generally, Vaikuntha Chaturmurti is shown standing but sometimes he is depicted seated on his vahana (mount) Garuda. The concept of a four-headed Vishnu first appears in the Hindu epic Mahabharata, but the complete iconography was first found in a 5th-century Pancharatra text. The icon reflects influences from the Gupta period and the Gandhara architectural tradition. While as per one interpretation, the animal heads represent Vishnu's avatar Narasimha (lion-headed man) and Varaha (boar), another theory based on Pancharatra texts relates the four heads to the Chaturvyuha: Vasudeva (Krishna), Samkarshana (Balarama), Pradyumna and Aniruddha – four vyuhas (manifestations) of Vishnu. A cult centered on Vaikuntha Chaturmurti developed in Kashmir in the 8–12th century, when the deity also enjoyed royal patronage in the region. The Lakshmana Temple of Khajuraho suggests his worship in the Chandela kingdom (Central India) in the 10th century. (Full article...)

    Vaikuntha Chaturmukha, 9th century, Kashmir in Los Angeles County Museum of Art

    Vaikuntha Chaturmurti or Vaikuntha Vishnu is a four-headed aspect of the Hindu god Vishnu, mostly found in Nepal and Kashmir (northern part of the Indian subcontinent). The icon represents Vishnu as the Supreme Being. He has a human head, a lion head, a boar head and a fierce head. Sometimes, even three-headed but aspects of Vishnu where the fierce rear head is dropped are considered to represent Vaikuntha Chaturmurti. Though iconographical treatises describe him to eight-armed, he is often depicted with four. Generally, Vaikuntha Chaturmurti is shown standing but sometimes he is depicted seated on his vahana (mount) Garuda.

    The concept of a four-headed Vishnu first appears in the Hindu epic Mahabharata, but the complete iconography was first found in a 5th-century Pancharatra text. The icon reflects influences from the Gupta period and the Gandhara architectural tradition. While as per one interpretation, the animal heads represent Vishnu's avatar Narasimha (lion-headed man) and Varaha (boar), another theory based on Pancharatra texts relates the four heads to the Chaturvyuha: Vasudeva (Krishna), Samkarshana (Balarama), Pradyumna and Aniruddha – four vyuhas (manifestations) of Vishnu. A cult centered on Vaikuntha Chaturmurti developed in Kashmir in the 8–12th century, when the deity also enjoyed royal patronage in the region. The Lakshmana Temple of Khajuraho suggests his worship in the Chandela kingdom (Central India) in the 10th century. (Full article...)
  • Image 10 The Asiatic cheetah (Acinonyx jubatus venaticus) is a critically endangered cheetah subspecies currently only surviving in Iran. Its range once spread from the Arabian Peninsula and the Near East to the Caspian region, Transcaucasus, Kyzylkum Desert and northern South Asia, but was extirpated in these regions during the 20th century. The Asiatic cheetah diverged from the cheetah population in Africa between 32,000 and 67,000 years ago. The Asiatic cheetah survives in protected areas in the eastern-central arid region of Iran, where the human population density is very low. Between December 2011 and November 2013, 84 individuals were sighted in 14 different protected areas, and 82 individuals were identified from camera trap photographs. In December 2017, fewer than 50 individuals were thought to be remaining in three subpopulations that are scattered over 140,000 km2 (54,000 sq mi) in Iran's central plateau. In April 2024, the Iranian Department of Environment said that there are currently 5 Asiatic cheetahs residing in a breeding facility in the country. From the population assessment conducted by the Iranian Cheetah Society between 2021 and 2023, 27 individuals were documented, consisting of six female cheetahs, four male cheetahs, and 17 cheetah cubs. However, one of the male cheetahs recorded died in 2023. (Full article...)

    The Asiatic cheetah (Acinonyx jubatus venaticus) is a critically endangered cheetah subspecies currently only surviving in Iran. Its range once spread from the Arabian Peninsula and the Near East to the Caspian region, Transcaucasus, Kyzylkum Desert and northern South Asia, but was extirpated in these regions during the 20th century. The Asiatic cheetah diverged from the cheetah population in Africa between 32,000 and 67,000 years ago.

    The Asiatic cheetah survives in protected areas in the eastern-central arid region of Iran, where the human population density is very low. Between December 2011 and November 2013, 84 individuals were sighted in 14 different protected areas, and 82 individuals were identified from camera trap photographs. In December 2017, fewer than 50 individuals were thought to be remaining in three subpopulations that are scattered over 140,000 km2 (54,000 sq mi) in Iran's central plateau. In April 2024, the Iranian Department of Environment said that there are currently 5 Asiatic cheetahs residing in a breeding facility in the country. From the population assessment conducted by the Iranian Cheetah Society between 2021 and 2023, 27 individuals were documented, consisting of six female cheetahs, four male cheetahs, and 17 cheetah cubs. However, one of the male cheetahs recorded died in 2023. (Full article...)
  • Image 11 Arjun Reddy is a 2017 Indian Telugu-language romantic drama film written and directed by Sandeep Reddy Vanga, and produced by his brother Pranay Reddy Vanga's company Bhadrakali Pictures. It stars Vijay Deverakonda and Shalini Pandey while Rahul Ramakrishna, Jia Sharma, Sanjay Swaroop, Gopinath Bhat, Kamal Kamaraju and Kanchana appear in supporting roles. The film tells the story of Arjun Reddy Deshmukh (Deverakonda), a wealthy high-functioning alcoholic surgeon with anger management problems. Arjun is on a self-destructive path after the marriage of his girlfriend Preethi Shetty (Pandey); the film focuses on his downfall and subsequent resurgence. Arjun Reddy was partially inspired by Sandeep Vanga's life as a physiotherapy student. He worked on the script for two years and it took four to five years for the film to materialise. Principal photography commenced on 20 June 2016 at Hyderabad and took 86 working days to complete. Other filming locations include Mangalore, Dehradun and New Delhi, filming also took place in Italy. Radhan and Harshvardhan Rameshwar composed the soundtrack and score, respectively. Raj Thota was director of photography and Shashank Mali edited the film. (Full article...)
    Arjun Reddy is a 2017 Indian Telugu-language romantic drama film written and directed by Sandeep Reddy Vanga, and produced by his brother Pranay Reddy Vanga's company Bhadrakali Pictures. It stars Vijay Deverakonda and Shalini Pandey while Rahul Ramakrishna, Jia Sharma, Sanjay Swaroop, Gopinath Bhat, Kamal Kamaraju and Kanchana appear in supporting roles. The film tells the story of Arjun Reddy Deshmukh (Deverakonda), a wealthy high-functioning alcoholic surgeon with anger management problems. Arjun is on a self-destructive path after the marriage of his girlfriend Preethi Shetty (Pandey); the film focuses on his downfall and subsequent resurgence.

    Arjun Reddy was partially inspired by Sandeep Vanga's life as a physiotherapy student. He worked on the script for two years and it took four to five years for the film to materialise. Principal photography commenced on 20 June 2016 at Hyderabad and took 86 working days to complete. Other filming locations include Mangalore, Dehradun and New Delhi, filming also took place in Italy. Radhan and Harshvardhan Rameshwar composed the soundtrack and score, respectively. Raj Thota was director of photography and Shashank Mali edited the film. (Full article...)
  • Image 12 Pitri Paksha rites being performed on the banks of the Hooghly River at Jagannath Ghat in Kolkata, 2012 Pitri Paksha (Sanskrit: पितृ पक्ष, lit. '"fortnight of the paternal ancestors"', IAST: Pitṛ pakṣa), also spelt Pitru Paksha, is a 16-lunar day period in the Hindu calendar when Hindus pay homage to their ancestors (Pitri), especially through food offerings. The period is also known as Pitarpas, Pitri Paksha/Pitr-Paksha, Pitri Pokkho, Sorah Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya, Apara Paksha and akhadpak. Pitri Paksha is considered by Hindus to be inauspicious, given the death rite performed during the ceremony, known as Shraddha or Tarpana. In southern and western India, it falls in the second paksha (fortnight) Hindu lunar month of Bhadrapada (September) and follows the fortnight immediately after Ganesh Utsav. It begins on the Pratipada (first day of the fortnight) ending with the no moon day known as Sarvapitri Amavasya, Pitri Amavasya, Peddala Amavasya or Mahalaya Amavasya (simply Mahalaya) Most years, the autumnal equinox falls within this period, i.e. the Sun transitions from the northern to the southern hemisphere during this period. In North India and Nepal, and cultures following the purnimanta calendar or the solar calendar, this period may correspond to the waning fortnight of the luni-solar month Ashvina, instead of Bhadrapada. (Full article...)

    Pitri Paksha rites being performed on the banks of the Hooghly River at Jagannath Ghat in Kolkata, 2012

    Pitri Paksha (Sanskrit: पितृ पक्ष, lit. '"fortnight of the paternal ancestors"', IAST: Pitṛ pakṣa), also spelt Pitru Paksha, is a 16-lunar day period in the Hindu calendar when Hindus pay homage to their ancestors (Pitri), especially through food offerings. The period is also known as Pitarpas, Pitri Paksha/Pitr-Paksha, Pitri Pokkho, Sorah Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya, Apara Paksha and akhadpak.

    Pitri Paksha is considered by Hindus to be inauspicious, given the death rite performed during the ceremony, known as Shraddha or Tarpana. In southern and western India, it falls in the second paksha (fortnight) Hindu lunar month of Bhadrapada (September) and follows the fortnight immediately after Ganesh Utsav. It begins on the Pratipada (first day of the fortnight) ending with the no moon day known as Sarvapitri Amavasya, Pitri Amavasya, Peddala Amavasya or Mahalaya Amavasya (simply Mahalaya) Most years, the autumnal equinox falls within this period, i.e. the Sun transitions from the northern to the southern hemisphere during this period. In North India and Nepal, and cultures following the purnimanta calendar or the solar calendar, this period may correspond to the waning fortnight of the luni-solar month Ashvina, instead of Bhadrapada. (Full article...)
  • Image 13 Shaheen Bagh women protesters blocking a major road (Road 13A GD Birla Marg, Shaheen Bagh - Kalindi Kunj area) in New Delhi The Shaheen Bagh protest was a peaceful sit-in protest in Delhi, India, that began on 15 December 2019 and lasted until 24 March 2020. The protest was led by women who blocked a major road at Shaheen Bagh using non-violent resistance 24×7. Mainly consisting of Muslim women, the protest began in response to the passage of the Citizenship (Amendment) Act (CAA) on 11 December 2019 and the ensuing police intervention against students at Jamia Millia Islamia who were opposing the Amendment. Protesters agitated against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), in addition to police brutality, unemployment, and poverty, and for women's safety. The Delhi Police barricaded major roads in and around the area, affecting more than 100,000 vehicles a day and adding hours to some journeys. Following the North East Delhi riots, police presence in the area temporarily increased with over 1000 personnel being assigned to Shaheen Bagh. After the COVID-19 outbreak in India and subsequent government-enforced restrictions the protest continued for several days in a more controlled manner. Following the complete lockdown imposed in Delhi on 23 March 2020, the remaining protesters were arrested or forcefully removed from the site by the Delhi Police. The barricaded and tented venue drew large crowds with tens of thousands of protesters participating. Some days saw over 150,000 at the venue. The protest inspired similar copycat protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai and Bengaluru. The leaderless protest became politicized and was generally against the Bharatiya Janata Party (BJP) government. The blockade became a campaign issue in the 2020 Delhi Legislative Assembly elections, especially for the BJP. BJP's campaign was negative towards the Shaheen Bagh protests with a number of campaigners making controversial statements such as "goli maaro" (English: Shoot them). Some BJP campaigners promised to immediately remove the blockade after being voted into power and were accused by their opponents of prolonging the demonstration to agitate voters. BJP won an extra six seats as compared to the last election while Aam Aadmi Party retained a clear majority with 62 seats. (Full article...)

    Shaheen Bagh women protesters blocking a major road (Road 13A GD Birla Marg, Shaheen Bagh - Kalindi Kunj area) in New Delhi

    The Shaheen Bagh protest was a peaceful sit-in protest in Delhi, India, that began on 15 December 2019 and lasted until 24 March 2020. The protest was led by women who blocked a major road at Shaheen Bagh using non-violent resistance 24×7. Mainly consisting of Muslim women, the protest began in response to the passage of the Citizenship (Amendment) Act (CAA) on 11 December 2019 and the ensuing police intervention against students at Jamia Millia Islamia who were opposing the Amendment. Protesters agitated against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), in addition to police brutality, unemployment, and poverty, and for women's safety. The Delhi Police barricaded major roads in and around the area, affecting more than 100,000 vehicles a day and adding hours to some journeys. Following the North East Delhi riots, police presence in the area temporarily increased with over 1000 personnel being assigned to Shaheen Bagh. After the COVID-19 outbreak in India and subsequent government-enforced restrictions the protest continued for several days in a more controlled manner. Following the complete lockdown imposed in Delhi on 23 March 2020, the remaining protesters were arrested or forcefully removed from the site by the Delhi Police.

    The barricaded and tented venue drew large crowds with tens of thousands of protesters participating. Some days saw over 150,000 at the venue. The protest inspired similar copycat protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai and Bengaluru. The leaderless protest became politicized and was generally against the Bharatiya Janata Party (BJP) government. The blockade became a campaign issue in the 2020 Delhi Legislative Assembly elections, especially for the BJP. BJP's campaign was negative towards the Shaheen Bagh protests with a number of campaigners making controversial statements such as "goli maaro" (English: Shoot them). Some BJP campaigners promised to immediately remove the blockade after being voted into power and were accused by their opponents of prolonging the demonstration to agitate voters. BJP won an extra six seats as compared to the last election while Aam Aadmi Party retained a clear majority with 62 seats. (Full article...)
  • Image 14 Maine Pyar Kiya (transl. 'I've loved'), also known by the initialism MPK, is a 1989 Indian Hindi-language romantic musical film directed by Sooraj Barjatya in his directorial debut. Produced by Tarachand Barjatya, the film was co-written by S. M. Ahale, and Sooraj Barjatya, and distributed by Rajshri Productions. The film stars Salman Khan in his first leading role, alongside Bhagyashree, who made her acting debut. It also features Alok Nath, Mohnish Bahl, Reema Lagoo, Rajeev Verma, Ajit Vachani, and Laxmikant Berde in supporting roles. Maine Pyar Kiya tells the story of two individuals whose journey from friendship to love is complicated by family differences, ultimately challenging them to fight for their relationship. Principal photography took place in Mumbai and various locations in Ooty. The film features a score and soundtrack composed by Raamlaxman, while Asad Bhopali wrote the lyrics. Maine Pyar Kiya is considered to be one of Khan's most iconic and loved films, and it became a cult favorite because of its songs, dialogues, and chemistry between Khan and Bhagyashree. The film also established the careers of the supporting cast including Mohnish Bahl and Laxmikant Berde. (Full article...)
    Maine Pyar Kiya (transl. 'I've loved'), also known by the initialism MPK, is a 1989 Indian Hindi-language romantic musical film directed by Sooraj Barjatya in his directorial debut. Produced by Tarachand Barjatya, the film was co-written by S. M. Ahale, and Sooraj Barjatya, and distributed by Rajshri Productions. The film stars Salman Khan in his first leading role, alongside Bhagyashree, who made her acting debut. It also features Alok Nath, Mohnish Bahl, Reema Lagoo, Rajeev Verma, Ajit Vachani, and Laxmikant Berde in supporting roles. Maine Pyar Kiya tells the story of two individuals whose journey from friendship to love is complicated by family differences, ultimately challenging them to fight for their relationship.

    Principal photography took place in Mumbai and various locations in Ooty. The film features a score and soundtrack composed by Raamlaxman, while Asad Bhopali wrote the lyrics. Maine Pyar Kiya is considered to be one of Khan's most iconic and loved films, and it became a cult favorite because of its songs, dialogues, and chemistry between Khan and Bhagyashree. The film also established the careers of the supporting cast including Mohnish Bahl and Laxmikant Berde. (Full article...)
  • Image 15 Dil Dhadakne Do (transl. 'Let the heart beat') is a 2015 Indian Hindi-language family comedy drama film directed by Zoya Akhtar and produced by Ritesh Sidhwani and Farhan Akhtar under the Excel Entertainment banner. The film has an ensemble cast of Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh, Anushka Sharma and Farhan Akhtar with a voice-over narration by Aamir Khan. The film tells the story of the Mehras, a dysfunctional family who invite their family and friends on a 10-day cruise trip to celebrate the parents' 30th wedding anniversary and later reconcile. Zoya conceived the film as a family drama centred on a brother-sister relationship. She wanted to depict a more realistic sibling relationship in contrast to the dubious and over-the-top portrayal for which Bollywood is known. She later wrote the script with her friend and longtime collaborator Reema Kagti, while Farhan penned the dialogues. Much of the principal photography was done on Pullmantur Cruises' ship MS Sovereign while sailing across the Mediterranean and Europe, and on land in France, Spain, Italy, Tunisia, and Turkey. (Full article...)
    Dil Dhadakne Do (transl. 'Let the heart beat') is a 2015 Indian Hindi-language family comedy drama film directed by Zoya Akhtar and produced by Ritesh Sidhwani and Farhan Akhtar under the Excel Entertainment banner. The film has an ensemble cast of Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh, Anushka Sharma and Farhan Akhtar with a voice-over narration by Aamir Khan. The film tells the story of the Mehras, a dysfunctional family who invite their family and friends on a 10-day cruise trip to celebrate the parents' 30th wedding anniversary and later reconcile.

    Zoya conceived the film as a family drama centred on a brother-sister relationship. She wanted to depict a more realistic sibling relationship in contrast to the dubious and over-the-top portrayal for which Bollywood is known. She later wrote the script with her friend and longtime collaborator Reema Kagti, while Farhan penned the dialogues. Much of the principal photography was done on Pullmantur Cruises' ship MS Sovereign while sailing across the Mediterranean and Europe, and on land in France, Spain, Italy, Tunisia, and Turkey. (Full article...)
  • Image 16 Gargi Vachaknavi (Sans: गार्गी वाचक्नवी (Devanagari); Gārgī Vāchaknavī (HK)) was an ancient Indian sage and philosopher. In Vedic literature, she is honoured as a great natural philosopher, renowned expounder of the Vedas, and known as Brahmavadini, a person with knowledge of Brahma Vidya. In the Sixth and the eighth Brahmana of Brihadaranyaka Upanishad, her name is prominent as she participates in the brahmayajna, a philosophic debate organized by King Janaka of Videha, during which she challenges the sage Yajnavalkya with perplexing questions on the issue of atman (soul). She is also said to have written many hymns in the Rigveda. She remained celibate all her life and was venerated by Hindus. Gargi, the daughter of the sage Vachaknu from the lineage of the sage Garga (c. 800-500 BCE), was named after her father Gargi Vachaknavi. From a young age, she evinced a keen interest in Vedic scriptures and became very proficient in fields of philosophy. She became highly knowledgeable in the Vedas and Upanishads in the Vedic times and held intellectual debates with other philosophers. (Full article...)
    Gargi Vachaknavi (Sans: गार्गी वाचक्नवी (Devanagari); Gārgī Vāchaknavī (HK)) was an ancient Indian sage and philosopher. In Vedic literature, she is honoured as a great natural philosopher, renowned expounder of the Vedas, and known as Brahmavadini, a person with knowledge of Brahma Vidya. In the Sixth and the eighth Brahmana of Brihadaranyaka Upanishad, her name is prominent as she participates in the brahmayajna, a philosophic debate organized by King Janaka of Videha, during which she challenges the sage Yajnavalkya with perplexing questions on the issue of atman (soul). She is also said to have written many hymns in the Rigveda. She remained celibate all her life and was venerated by Hindus.

    Gargi, the daughter of the sage Vachaknu from the lineage of the sage Garga (c. 800-500 BCE), was named after her father Gargi Vachaknavi. From a young age, she evinced a keen interest in Vedic scriptures and became very proficient in fields of philosophy. She became highly knowledgeable in the Vedas and Upanishads in the Vedic times and held intellectual debates with other philosophers. (Full article...)
  • Image 17 Bhardwaj in 2016 Vishal Bhardwaj (born 4 August 1965) is an Indian filmmaker, music composer, and playback singer. He is known for his work in Hindi cinema, and is the recipient of nine National Film Awards and a Filmfare Award. Bhardwaj made his debut as a music composer with the children's film Abhay (1995), and received wider recognition with his compositions in Gulzar's Maachis (1996). He received the Filmfare R. D. Burman Award for New Music Talent for the latter. He went on to compose music for the films Satya (1998) and Godmother (1999). For the latter, he won the National Film Award for Best Music Direction. (Full article...)

    Bhardwaj in 2016

    Vishal Bhardwaj (born 4 August 1965) is an Indian filmmaker, music composer, and playback singer. He is known for his work in Hindi cinema, and is the recipient of nine National Film Awards and a Filmfare Award.

    Bhardwaj made his debut as a music composer with the children's film Abhay (1995), and received wider recognition with his compositions in Gulzar's Maachis (1996). He received the Filmfare R. D. Burman Award for New Music Talent for the latter. He went on to compose music for the films Satya (1998) and Godmother (1999). For the latter, he won the National Film Award for Best Music Direction. (Full article...)
  • Image 18 Khosla Ka Ghosla (transl. Khosla's nest) is a 2006 Indian Hindi-language comedy drama film directed by Dibakar Banerjee, in his directorial debut. It was produced by Savita Raj Hiremath under the Taandav Films label and Ronnie Screwvala from UTV Motion Pictures. Written by Jaideep Sahni, the film stars Anupam Kher, Boman Irani, Parvin Dabas, Vinay Pathak, Ranvir Shorey and Tara Sharma in the lead roles. The story follows Kamal Kishore Khosla (Kher), a middle-class Delhiite and his family's attempt to reclaim their land which has been seized by a builder, Khurana (Irani). Banerjee, an advertising filmmaker, wanted to make a feature film which showcased Delhi the way it is. The initial idea conceived by Hiremath and Sahni was about a generation gap. After finishing the script, Sahni informed Banerjee that he had found a producer in Delhi and asked him if he wanted to direct the film; Banerjee agreed to do so. The film had no buyers for two years during which time editing continued. The team showed the film to several people who loved it but were unwilling to back it. In 2006, UTV Motion Pictures stepped in and distributed the film. (Full article...)
    Khosla Ka Ghosla (transl. Khosla's nest) is a 2006 Indian Hindi-language comedy drama film directed by Dibakar Banerjee, in his directorial debut. It was produced by Savita Raj Hiremath under the Taandav Films label and Ronnie Screwvala from UTV Motion Pictures. Written by Jaideep Sahni, the film stars Anupam Kher, Boman Irani, Parvin Dabas, Vinay Pathak, Ranvir Shorey and Tara Sharma in the lead roles. The story follows Kamal Kishore Khosla (Kher), a middle-class Delhiite and his family's attempt to reclaim their land which has been seized by a builder, Khurana (Irani).

    Banerjee, an advertising filmmaker, wanted to make a feature film which showcased Delhi the way it is. The initial idea conceived by Hiremath and Sahni was about a generation gap. After finishing the script, Sahni informed Banerjee that he had found a producer in Delhi and asked him if he wanted to direct the film; Banerjee agreed to do so. The film had no buyers for two years during which time editing continued. The team showed the film to several people who loved it but were unwilling to back it. In 2006, UTV Motion Pictures stepped in and distributed the film. (Full article...)
  • Image 19 Mahmud Hasan Deobandi (also known as Shaykh al-Hind; 1851–1920) was an Indian Muslim scholar and an activist of the Indian independence movement, who co-founded the Jamia Millia Islamia University and launched the Silk Letter Movement for the freedom of India. He was the first student to study at the Darul Uloom Deoband seminary. His teachers included Muhammad Qasim Nanawtawi and Mahmud Deobandi, and he was authorized in Sufism by Imdadullah Muhajir Makki and Rashid Ahmad Gangohi. Hasan served as the principal of the Darul Uloom Deoband and founded organisations such as the Jamiatul Ansar and the Nizaratul Maarif. He wrote a translation of the Quran in Urdu and authored books such as Adilla-e-Kāmilah, Īzah al-adillah, Ahsan al-Qirā and Juhd al-Muqill. He taught hadith at the Darul Uloom Deoband and copyedited the Sunan Abu Dawud. His major students included Ashraf Ali Thanwi, Anwar Shah Kashmiri, Hussain Ahmad Madani, Kifayatullah Dehlawi, Sanaullah Amritsari and Ubaidullah Sindhi. (Full article...)

    Mahmud Hasan Deobandi (also known as Shaykh al-Hind; 1851–1920) was an Indian Muslim scholar and an activist of the Indian independence movement, who co-founded the Jamia Millia Islamia University and launched the Silk Letter Movement for the freedom of India. He was the first student to study at the Darul Uloom Deoband seminary. His teachers included Muhammad Qasim Nanawtawi and Mahmud Deobandi, and he was authorized in Sufism by Imdadullah Muhajir Makki and Rashid Ahmad Gangohi.

    Hasan served as the principal of the Darul Uloom Deoband and founded organisations such as the Jamiatul Ansar and the Nizaratul Maarif. He wrote a translation of the Quran in Urdu and authored books such as Adilla-e-Kāmilah, Īzah al-adillah, Ahsan al-Qirā and Juhd al-Muqill. He taught hadith at the Darul Uloom Deoband and copyedited the Sunan Abu Dawud. His major students included Ashraf Ali Thanwi, Anwar Shah Kashmiri, Hussain Ahmad Madani, Kifayatullah Dehlawi, Sanaullah Amritsari and Ubaidullah Sindhi. (Full article...)
  • Image 20 My Life in Orange: Growing Up with the Guru is an account of a child growing up in the Rajneesh movement led by Bhagwan Shree Rajneesh. The book is a firsthand account, written by Tim Guest at the age of 27, years after his experiences. The book was published in 2004 by Granta Books. The book's title is a reference to the term "the orange people", which was used to refer to members of the Rajneesh movement due to the color they dyed their clothes. Guest describes how his mother was initially raised in strict Catholicism, but later turned to a tape of Bhagwan Shree Rajneesh after going through a period of experimenting with sex and drugs. She dyed all of her clothes orange, took on the name of "Ma Prem Vismaya", and "Yogesh" for her son, and moved to a Rajneesh movement commune near Bombay. Guest's mother moved to many different communes, and had leadership roles within the movement, eventually running a commune in Suffolk. Guest recounts how he regretted the absence of his mother's presence during this time, and describes controversial living conditions with other children at the various ashrams. Guest and his mother moved to the 64,000-acre (260 km2) commune in Oregon, but his mother was demoted in position and sent to live at a different commune in Cologne. His family later disassociated from the Rajneesh movement and moved back to North London, where they each encountered difficulties reintegrating back into mainstream society. (Full article...)
    My Life in Orange: Growing Up with the Guru is an account of a child growing up in the Rajneesh movement led by Bhagwan Shree Rajneesh. The book is a firsthand account, written by Tim Guest at the age of 27, years after his experiences. The book was published in 2004 by Granta Books. The book's title is a reference to the term "the orange people", which was used to refer to members of the Rajneesh movement due to the color they dyed their clothes.

    Guest describes how his mother was initially raised in strict Catholicism, but later turned to a tape of Bhagwan Shree Rajneesh after going through a period of experimenting with sex and drugs. She dyed all of her clothes orange, took on the name of "Ma Prem Vismaya", and "Yogesh" for her son, and moved to a Rajneesh movement commune near Bombay. Guest's mother moved to many different communes, and had leadership roles within the movement, eventually running a commune in Suffolk. Guest recounts how he regretted the absence of his mother's presence during this time, and describes controversial living conditions with other children at the various ashrams. Guest and his mother moved to the 64,000-acre (260 km2) commune in Oregon, but his mother was demoted in position and sent to live at a different commune in Cologne. His family later disassociated from the Rajneesh movement and moved back to North London, where they each encountered difficulties reintegrating back into mainstream society. (Full article...)
  • Image 21 Bommarillu (transl. Toy House) (pronunciation) is a 2006 Indian Telugu-language romantic comedy family drama film directed and co-written by Bhaskar in his directorial debut, and produced by Dil Raju. The film stars Siddharth, Genelia, Prakash Raj and Jayasudha. The film primarily revolves around the relationship between a father and son, in which the father's excessive concern for his son, and interference in his life, leads to the latter harbouring bitterness towards his overbearing father. The cinematography was handled by Vijay C Chakravarthy and editing done by Marthand K. Venkatesh. The music for the film was composed by Devi Sri Prasad, whose soundtrack of the film received positive reviews from critics. The film opened to Indian audiences on 9 August 2006. On its way to winning state honours and rave reviews, the film went on to win several Filmfare Awards among other prominent awards and was one of the highest grossing Telugu films of that year. Following the film's box office success, it was remade in Tamil as Santosh Subramaniam (2008), in Bengali as Bhalobasa Bhalobasa (2008), in Odia as Dream Girl (2009), and in Hindi as It's My Life (2020). (Full article...)
    Bommarillu (transl. Toy House) (pronunciation) is a 2006 Indian Telugu-language romantic comedy family drama film directed and co-written by Bhaskar in his directorial debut, and produced by Dil Raju. The film stars Siddharth, Genelia, Prakash Raj and Jayasudha. The film primarily revolves around the relationship between a father and son, in which the father's excessive concern for his son, and interference in his life, leads to the latter harbouring bitterness towards his overbearing father. The cinematography was handled by Vijay C Chakravarthy and editing done by Marthand K. Venkatesh. The music for the film was composed by Devi Sri Prasad, whose soundtrack of the film received positive reviews from critics.

    The film opened to Indian audiences on 9 August 2006. On its way to winning state honours and rave reviews, the film went on to win several Filmfare Awards among other prominent awards and was one of the highest grossing Telugu films of that year. Following the film's box office success, it was remade in Tamil as Santosh Subramaniam (2008), in Bengali as Bhalobasa Bhalobasa (2008), in Odia as Dream Girl (2009), and in Hindi as It's My Life (2020). (Full article...)
  • Image 22 Statue of Kartikeya at Batu Caves, Malaysia Kartikeya (/kɑɾt̪ɪkejə/; IAST: Kārttikeya), also known as Skanda (/skən̪d̪ə/), Subrahmanya (/sʊbɾəɦməɲjə/, /ɕʊ-/), Shanmukha (/ɕɑnmʊkʰə/) and Murugan (/mʊɾʊgən/), is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha. Kartikeya has been an important deity in the Indian subcontinent since ancient times. Mentions of Skanda in the Sanskrit literature data back to fifth century BCE and the mythology relating to Kartikeya became widespread in North India around the second century BCE. Archaeological evidence from the first century CE and earlier shows an association of his iconography with Agni, the Hindu god of fire, indicating that Kartikeya was a significant deity in early Hinduism. He is hailed as the "favoured god of the Tamils", and the tutelary deity of the Kurinji region in Sangam literature, whose cult gained popularity later. As per theologists, the Tamil deity of Murugan coalesced with the Vedic deity of Skanda over time. He is considered as the patron deity of Tamil language and literary works such as Tirumurukāṟṟuppaṭai by Nakkīraṉãr and Tiruppukal by Arunagirinathar are devoted to Murugan. (Full article...)

    Statue of Kartikeya at Batu Caves, Malaysia

    Kartikeya (/kɑɾt̪ɪkejə/; IAST: Kārttikeya), also known as Skanda (/skən̪d̪ə/), Subrahmanya (/sʊbɾəɦməɲjə/, /ɕʊ-/), Shanmukha (/ɕɑnmʊkʰə/) and Murugan (/mʊɾʊgən/), is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha.

    Kartikeya has been an important deity in the Indian subcontinent since ancient times. Mentions of Skanda in the Sanskrit literature data back to fifth century BCE and the mythology relating to Kartikeya became widespread in North India around the second century BCE. Archaeological evidence from the first century CE and earlier shows an association of his iconography with Agni, the Hindu god of fire, indicating that Kartikeya was a significant deity in early Hinduism. He is hailed as the "favoured god of the Tamils", and the tutelary deity of the Kurinji region in Sangam literature, whose cult gained popularity later. As per theologists, the Tamil deity of Murugan coalesced with the Vedic deity of Skanda over time. He is considered as the patron deity of Tamil language and literary works such as Tirumurukāṟṟuppaṭai by Nakkīraṉãr and Tiruppukal by Arunagirinathar are devoted to Murugan. (Full article...)
  • Image 23 AK vs AK is a 2020 Indian Hindi-language black comedy thriller film directed by Vikramaditya Motwane and is the first release under his banner Andolan Films. Anurag Kashyap, the executive producer and dialogue writer, also stars alongside Anil Kapoor as the title characters with Harshvardhan Kapoor and debutante Yogita Bihani in pivotal roles. The story, written by Avinash Sampath, utilises a film-within-a-film narrative where the main actors play fictionalised versions of themselves. After a public feud between Kashyap, an eccentric film director, and Anil Kapoor, an ageing film star, the former kidnaps the latter's daughter (Sonam Kapoor Ahuja) and forces Kapoor to search for her while his assistant (Bihani) films them as part of his next project, with most of the film shown from the perspective of her camera. (Full article...)
    AK vs AK is a 2020 Indian Hindi-language black comedy thriller film directed by Vikramaditya Motwane and is the first release under his banner Andolan Films. Anurag Kashyap, the executive producer and dialogue writer, also stars alongside Anil Kapoor as the title characters with Harshvardhan Kapoor and debutante Yogita Bihani in pivotal roles.

    The story, written by Avinash Sampath, utilises a film-within-a-film narrative where the main actors play fictionalised versions of themselves. After a public feud between Kashyap, an eccentric film director, and Anil Kapoor, an ageing film star, the former kidnaps the latter's daughter (Sonam Kapoor Ahuja) and forces Kapoor to search for her while his assistant (Bihani) films them as part of his next project, with most of the film shown from the perspective of her camera. (Full article...)
  • Image 24 A pot excavated from Burzahom The Burzahom archaeological site is located in the Srinagar district of the Kashmir Valley in Jammu and Kashmir, India. Evidences of wheat were found. Archaeological excavations have revealed four phases of cultural significance between 3000 BCE and 1000 BCE. Periods I and II represent the Neolithic era; Period III the Megalithic era (of massive stone menhirs and wheel turned red pottery); and Period IV relates to the early Historical Period (Post-megalithic period). The findings, recorded in stratified cultural deposits representing prehistoric human activity in Indian Kashmir, are based on detailed investigations that cover all aspects of the physical evidence of the site, including the ancient flora and fauna. The Burzahom site revealed the transition from the subterranean and ground level housing features of the Neolithic people to the mudbrick structures of the Megalithic people. The large cache of tools and implements made of bone and stone found at the site shows that the inhabitants were hunting and farming. (Full article...)

    A pot excavated from Burzahom

    The Burzahom archaeological site is located in the Srinagar district of the Kashmir Valley in Jammu and Kashmir, India. Evidences of wheat were found. Archaeological excavations have revealed four phases of cultural significance between 3000 BCE and 1000 BCE. Periods I and II represent the Neolithic era; Period III the Megalithic era (of massive stone menhirs and wheel turned red pottery); and Period IV relates to the early Historical Period (Post-megalithic period). The findings, recorded in stratified cultural deposits representing prehistoric human activity in Indian Kashmir, are based on detailed investigations that cover all aspects of the physical evidence of the site, including the ancient flora and fauna.

    The Burzahom site revealed the transition from the subterranean and ground level housing features of the Neolithic people to the mudbrick structures of the Megalithic people. The large cache of tools and implements made of bone and stone found at the site shows that the inhabitants were hunting and farming. (Full article...)
  • Image 25 Roza based WDG-4G roaming at Katihar Jn. The Indian locomotive class WDG-4G (GE ES43ACmi) is a class of dual-cabin freight-hauling diesel–electric locomotive used by the Indian Railways (IR). The locomotive is designed by GE Transportation and is based on its Evolution Series, which are used in North America. The class is meant for freight hauling and replaces the older American Locomotive Company (ALCO)-designed locomotives, which have been the mainstay diesels of Indian Railways since 1962. Equipped with a 12-cylinder fully turbocharged GEVO engine, it is claimed to be 50% more environmentally friendly than its predecessors and is the first in the country to be compliant with level one of the emission norms set by the International Union of Railways (UIC-1). The locomotive has two cabs for easy reversal, both of which are air conditioned. The locomotive is part of a 13-year contract between Indian Railways and GE Transportation under which 700 such locomotives will be produced indigenously. Diesel Locomotive Factory, Marhowrah was set up by GE for the production and supply of these locomotives which is also seen as a boost to the Make in India initiative. The maintenance of the locomotive will be GE's responsibility which will also have to ensure that 95% of the fleet is ready at all times. For this, real time remote tracking and fault diagnostics has been implemented in the locomotive. (Full article...)

    Roza based WDG-4G roaming at Katihar Jn.

    The Indian locomotive class WDG-4G (GE ES43ACmi) is a class of dual-cabin freight-hauling diesel–electric locomotive used by the Indian Railways (IR). The locomotive is designed by GE Transportation and is based on its Evolution Series, which are used in North America. The class is meant for freight hauling and replaces the older American Locomotive Company (ALCO)-designed locomotives, which have been the mainstay diesels of Indian Railways since 1962. Equipped with a 12-cylinder fully turbocharged GEVO engine, it is claimed to be 50% more environmentally friendly than its predecessors and is the first in the country to be compliant with level one of the emission norms set by the International Union of Railways (UIC-1). The locomotive has two cabs for easy reversal, both of which are air conditioned.

    The locomotive is part of a 13-year contract between Indian Railways and GE Transportation under which 700 such locomotives will be produced indigenously. Diesel Locomotive Factory, Marhowrah was set up by GE for the production and supply of these locomotives which is also seen as a boost to the Make in India initiative. The maintenance of the locomotive will be GE's responsibility which will also have to ensure that 95% of the fleet is ready at all times. For this, real time remote tracking and fault diagnostics has been implemented in the locomotive. (Full article...)
More good articles

News

9 February 2025 – Naxalite–Maoist insurgency
Thirty-one Maoist militants and two security forces are killed during a shootout around Indravati River in Chhattisgarh, India. (Al Jazeera)
7 February 2025 –
German Federal Police detains 16 Indian nationals found in a van in Aachen, North Rhine-Westphalia, including 15 passengers and the driver, as they attempt to enter the country without valid documents. (DW)
29 January 2025 – 2025 Prayag Kumbh Mela
At least 30 people are killed in a crowd crush at a Hindu festival in Prayagraj, Uttar Pradesh, India. (BBC News)
29 January 2025 – 2025 Light Air Services Beechcraft 1900 crash
A Beechcraft 1900D carrying employees of an oil company crashes in Unity, South Sudan, killing 20 of the 21 people onboard, including one Indian and two Chinese nationals. (CNN) (Reuters)
27 January 2025 – China–India relations
Following the meeting between Indian Foreign Secretary Vikram Misri and Chinese Foreign Minister Wang Yi in Beijing, China and India agree to resume direct air travel between the two countries after a five-year hiatus. (CNA).

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